An Analysis of Rufus

     If there is a good word to describe Rufus it is disappointing. Throughout the novel, he constantly argues with his father, disagreeing with him on many topics, but as the story progresses, it becomes evident to the reader how alike the two become. He constantly tries to be a good person, but succumbs to his impulses, doing what is easy and not what is right. This leads to his absolutely horrendous behavior, raping his love interest and breaking up families. It is almost like he recognizes how terrible he is, and yet does not have the willpower to stop himself, leading to his final moments in which he tries to rape Dana before being stabbed. This blog will attempt to unpack Rufus as a character, following him until his final moments before death.
    He is first introduced to Dana when drowning, but never gets a chance to speak to her, so instead I will be jumping ahead to The Fire. In this scene, Dana is brought back to 1815, and is finally properly introduced to a young Rufus. At this age, he seems quite malleable, upset with his father, and a polar opposite to the person he would one day become. While not knowing better, he calls Dana a slur, but when she asks him to call her by name or "a black woman... that's it" (Butler 22), instead, he agrees without a complaint. While he is used to being called Master by other black people, he does not mind when she does not. It is clear that he respects Dana, but that also he is just a product of his environment. He is not old enough to think too critically of the environment around him and the morality of the things he and his family do. After reading this scene, one might even be forgiven for thinking he would grow up to be different than his father. Even the third time she returns during The Fall, he shares these characteristics of being somewhat changeable or even likable, but this soon changes. 
    On Dana's fourth trip back to the past five years later, Rufus is not the innocent young boy he once was. He has become much meaner, much more intent on his new fixation: Alice. He does still respect Dana, exemplified by his continuous asking of permission to use her medicines rather than just taking them from her. However, this does not mean he is all good, as he has developed more greedy and manipulative tendencies shown by his refusal to actually mail Dana's letters, instead choosing to keep the letters and Dana to himself, treating her and Alice like toys that he alone is entitled to having or 'owning'. This culminates in the emotionally charged and unbelievably horrible scene in which he asks for Dana's help in raping Alice. He could just do what he likes with Alice against her will, but instead he exercises his power over both Dana and Alice, manipulating both of them, and proving that while they both might have some small increased privileges above the other slaves, they are still his property and he is still their owner. No quote does a better job of showing how he handles the situation than Rufus saying point-blank to Dana, "Go to her. Send her to me. I'll have her whether you help or not. All I want you to do is fix it so I don't have to beat her. You're no friend of hers if you won't do that much" (Butler 177).
    Later in The Fight, Dana attempts to run away as Rufus has still not sent her letters to Kevin, but she is caught and whipped as Rufus’ real personality begins to show. Even when Kevin finally does arrive, Rufus attempts to stop them from leaving, going as far to pull out a gun on them. Throughout the novel, he recognizes his wrongs, but does not fix them. He consistently argues that he loves Alice, but if he truly loved her, he would not continue to rape her and cause her pain. However, looking back on the novel, it is clear that he was always this way. While it is true that his environment shaped how he grew up, even at a young age he needed things to go his way or else he would get mad. This is shown by him burning his fathers curtains and now as an adult he continues to act this way. In reality, he never mentally matures, and until his final moments truly believes that he deserves everything he wants and will somehow get it, either through charisma or force.

Comments

  1. I've found myself more fixated on Dana and Kevin throughout the novel and less on Rufus, but your blog post reveals his progression of complexity. Rufus is the subject of a nature vs. nurture debate - to what extent does an environment influence someone's malicious behavior?

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  2. Great blog Joseph, I think you did a great job unpacking Rufus as a character throughout the story, explaining how he progressed from a more innocent kid who didn't know any better into someone who acts just as bad as his father. I think that you did a great job with this post, keep it up!!

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  3. Hi Joseph,

    Because Kindred is narrated from Dana's perspective, we as viewers bias Rufus as "not like the other ones" and completely different from his father. However, Rufus's environment shapes him exactly as Tom Weylin was at the start of the novel, explicit parallels like pointing a gun at Dana. While Dana feels betrayed by Rufus at the end, Rufus merely acted in best interest of his environment, as if Dana was never there.

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  4. Nice blog! Rufus's "antagonist" status sometimes makes him easy to overlook. But you did a great job of explaining his complicated journey from being an innocent boy to becoming as malicious as his father. It also illustrates how a person's surroundings affect their behavior. Good job

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  5. Throughout the novel, I constantly questioned whether Rufus was changing because at some point, even with Dana's intervention, Rufus seemed to be predestined to follow the ways of the South. His behavior became more and more twisted as he acclimated to his time-period. It wasn't until the end that Rufus realized some wrongdoings but refuses to fix them without the push of Dana. He fits with the analogy of someone who dies with regrets who never took the time to think about their actions in life.

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  6. Great post, Joseph! I think you highlight and analyze Rufus' actions quite well, showing his progression from an innocent boy to a man who resembles his father. It leaves the question of whether these changes in character were as a result of his internal nature, characteristics and personality, a result of the external, environmental forces and norms, or (more likely) a combination of both.

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  7. There is an interesting dynamic in this novel, wherein Rufus, shaped only partially by Dana's influence, actually ends up WORSE in many ways than his father, who is pretty bad. But Tom Weylin's version of "bad" is inseparable from the inherent badness of slavery itself--he is just a person occupying his role within that system, doing what it allows him to do and treating people, white and black, according to the (deeply problematic) rules of that system. He is not especially EVIL, just an embodiment of an evil system. It's never "personal" for him. Just business.

    But for Rufus, it's very PERSONAL. He develops a twisted "love" for Alice, influenced heavily by the model of Dana and Kevin as a couple--a view that his father finds intolerable and insane. Is it "better" that Rufus values Alice as an individual, while for his father the enslaved women are interchangeable, just a way for him to increase his "stock"? Dana at times flirts with this idea, finding herself moved by Rufus's grotesque expressions of "love" for Alice. But in the end we see how dangerous this emotional engagement can be, as he is able to manipulate Alice with a whole other level of cruelty, pretending to sell off their children in order to control her. Tom Weylin is rational and predictable in his occupation of the role of white plantation owner; Rufus is a wild card, an emotional mess, much LESS predictable, and it's not clear that the enslaved people living on his plantation view this as an improvement.

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  8. Nice observations. I think Rufus and his father are rather different; Rufus’ world revolves around Alice while Tom Weylin primarily cares about the success of the plantation. Rufus recognizes his actions are wrong but does not change, Tom Weylin has no acknowledgment of the morality of his actions, I am not sure which is worse. Keep it up, Joseph

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